Modern Painters

Modern Painters (from 1873), 2008
Brian Dettmer
Altered Book
9 1/8 x 7 x 6 3/4 inches
image: Kinz + Tillou Fine Art

I am not sure if I've shared one of Dettmer's altered books yet. I was reading an article about writing and manuscripts in Timbuktu and quickly thought of finding an altered book for today's art.

I, like many, used to have a particular reaction to works such as this. As a librarian, reader and book lover I found it difficult to see what many would call the destruction of a book. Over the years I've become not only okay with it but find the resulting works of art fascinating. This is all that Brian Dettmer does, he is a sculptor but his material is not just paper but existing books. Most of the books he uses are old editions of encyclopedias and atlases. Mass produced volumes that over time just get pushed away. Why not create a new and much less static life for this object?

This particular work is not one of the most amazing in aesthetic but I chose it because of the book itself, Modern Painters by John Ruskin. An interesting play between text, art, the old and the new. I have a lot of more trouble with the use of this 19th c. volume, a classic in the history of art (it appears that the 1873 should be 5 volumes and is currently selling for between $200 and $500 depending on condition). I am unsure as to why he only used 3 volumes (earlier editions had less volumes) unless there was an 1873 3 volume set published. Anyway, the set wouldn't be considered rare and once you spend some time looking at Dettmer's work you stop seeing any form of destruction. The term, "altered book" is fitting, especially when the artist retains the semblence of a book. When you still know it's a book, the object retains a variety of lives and meanings.

Resin Library

Church Library II, c. 2000
Stella Waitzkin
resin and mixed media

A very exciting artist discovery for me. This particular piece is one of her library installations. Each book on the shelf is an individually cast polyester resin sculpture. Alison Weld refers to each book as a "beautifully realized and complete painting" (see other library installations). Each of Waitzkin's books/paintings when brought together create an mulitfaceted yet uniquely complete work of art. The individual books are gorgeous, rich in texture and color and with a raw, tortured quality, some with a wonderful battered appearance (like a book that has been read, torn pages, mottled covers...). Some of the books have molded faces into them, adding to their sculptural quality and giving them an added life.

The idea of creating sculptural books and installing libraries may initially seem whimsical but Waitzkin's work is far from it. The damaged, raw quality and the sculpture figures emerging into and out of the pages and covers can be haunting. Her one bedroom apartment in New York was filled with books, her resin sculptures. The image of such a room is fascinating to me, books created to provide a different form of enlightenment and edification.

Waitzkin's work is part of the Artist-Environment Builders Collection at the John Michael Kohler Arts Center. "Artist-environment builders transform their homes, yards, or other aspects of their personal surroundings into multifaceted works of art that, in vernacular ways, embody and express the locale—time, era, place—in which each of them lived and worked." Stella Waitzkin.

The Librarian

Librarian, 1570
Guiseppe Arcimboldo (Italian, 1527-1593)
oil on canvas
Kunsthistorische Museum
Image courtesy of wikimedia commons

I am indulging myself a little bit today. Guiseppe Arcimboldo is the brilliant painter of an array of bizarre heads concocted of oodles of gorgeous fantastically rendered objects, usually from the natural world. He is famous for his anthropomorphic paintings, when I hear his name I always think of a head made of fruit.

His work The Librarian "would have been recognised by its first audience as a cruel portrait of Wolfgang Lazius, court historiographer to Maximilian and a passionate book collector."(Jonathan Jones, The Guardian, Saturday April 26, 2007) His work is witty, but in order to be taken seriously it could not simply be an assemblage of objects. These paintings live as portraits, with a depth and interest one might not perceive at the outset.

Arcimboldo was embraced by the Surrealist movement and appears surprisingly modern when remembering that he worked out of the 16th century (same feeling I've always had about Hieronymous Bosch as well). I am only just learning about Arcimboldo but I highly recommend The Guardian article as it touches upon his variety of work, the influence of Leonardo da Vinci and the affect of the history of scientific discovery.

Check out a gallery of his work.

Negative Space

Untitled (Paperbacks)
Rachel Whiteread
1997. Plaster and steel, Overall 14' 9 1/8" x 15' 9" x 20' 8 3/4" (450 x 480 x 632 cm).
Museum of Modern Art

It has been brought to my attention that I've focused a bit on painting thus far so to break from that mold, I am going to spend this week concentrating on introducing some sculpture to the mix. Today's work is by Rachel Whiteread whom I've been intrigued by for years. Whiteread casts the negative space created by objects. Early works included the casting of domestic objects such as bathtubs and chairs (both of which were at the Sensation show I mentioned in the post on Jenny Saville).

I've seen this work at MoMA and find it is pretty fantastic. You can see the traces of shapes and colors of the bindings of the books. It starts out as intriguing, then a bit unsettling, trying to figure out where the books would be, then comforting, since despite the lack of the physical books, its amazing how their presence is still felt. If you check the link in the title, you can hear a brief bit of Whiteread explaining the work. I've seen many of Whiteread's works of the years, the Albright Knox purchased jointly with the Carnegie Museum of Art, the negative space of a staircase, Untitled (Domestic). This is also the first time I'd heard of a joint purchase, but apparently its becoming more common with the exorbitant prices of work today.

She won the Turner Prize for casting a victorian house.