Image of artist

Frida Kahlo, 1931
Imogen Cunningham

Yay! A work of art by a woman, with a woman artist as its subject. Double women artist day. Imogen Cunningham was a glorious artist. Her photography is wonderful. Spend some time with her Published works.

Cunningham output consisted mostly of portraits, nudes and flowers. She did many self-portraits (which I adore - see the one to the left), one of her first self-portraits being a nude self-portrait from 1906. Cunningham found her way to the creative side of photography through studying chemistry in college where she wrote her thesis on the chemical process of photography. (http://www.cs.washington.edu/building/art/ImogenCunningham/) She became one of the first professional woman photographers, opening her own studio in 1910. Cunningham worked as a photographer her entire life, dying at the age of 93, and as a result the joy of discovering new images if her work is new to you can last for a time.

Close

Philip Glass, 1969
(part of his first series of B&W portraits)
Chuck Close

In keeping with my photo-realist theme, one cannot leave out the work of Chuck Close. I grew up seeing a Chuck Close painting every time I visited the Albright Knox Art Gallery and was always fascinated by the stature and detail in the painting. Close's portraits are of family and friends (many well known artists). Chuck Close is good friends with Philip Glass and produced many portraits of Glass over the years, most from the same photograph of a young Glass with tousled hair.

The image here gives you a better understanding of the commanding size of most of Close's portraits (though Close is 6' 3"). Using the a grid in which to translate a small polaroid to a large-scale painting, Close later on begins to bring the grid out into the forefront, treating each square on its own (with swirls, patterns etc.) but still pulling together a final representational image (his technical abilities were severely debiliated after a sudden blood clot left him partially paralyzed and confined to a wheelchair in 1988 and he brought himself back as a painter and continued his portraits on the same grand scale). The grid makes one think of the pixelation that is so common in technology today, yet Close remains true to his form and is well-known as a techna-fobe.